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Don Tishman’s Real Estate Development and Investing Solutions

Don Tishman has 40+ years experience as a real estate developer and will answer your questions about real estate development and investment

Sunday, February 28, 2010

Frank Lloyd Wright- genius innovator and architect-Part 2

Hollyhock House- a genius architect vs. a headstrong client

During the time Frank Lloyd Wright was continually traveling to Japan for the Imperial Hotel, one of Wright’s most prominent commissions came from oil heiress, Aline Barnsdall. Wright was asked to design the Hollyhock House, other residences and two theaters. Barnsdall envisioned  a cultural center in Los Angeles.

Barnsdall v urged Wright to stretch his imagination to the limit. She wrote Frank Lloyd Wright, “ You will put your freest dreams into it. For I believe so firmly in your genius that I want to make it the keynote of my work” Is it any wonder that Wright reportedly said,” When you are a genius, it is hard to be modest”.

While Wright was planning her commission, Barnsdall was constantly traveling throughout the world. At the same time, Wright made at least ten ship voyages to Tokyo for the Imperial Hotel. They communicated by letter and telegram.  Wright wrote in his Autobiography on page 227: ”

“We went to work- or I did. My client, I soon found out, had ideas and wanted yours but never worked much for long at a time, being possessed by incorrigible wanderlust that made me wonder, sometimes, what she wanted a beautiful home for, anyhow, anywhere………she would drop suggestions as a war plane drops bombs and sail away into the blue. One never knew where or from where the bombs would drop – but they dropped…… Now, with a radical client like Aline Barnsdall , a site like Olive Hill, a climate like California, an architect head on for freedom, something had to happen even by proxy. This Romanza of  California had to come out on Olive Hill.”

Frank Lloyd Wright saw a great opportunity for his architectural practice in Los Angeles. Wright detested the pseudo-Spanish architecture and the representations of Italian “Renaissance” architect. Wright thought that California should have an architecture that was free of European influence.  Wright believed that pre-Columbian architecture-Mayan best represented what Wright imagined as the architecture of southern California. Few houses have had the monumental devotion that Wright gave to Hollyhock House.

Wright  forbid Barnsdall v from making changes during construction. Autobiography, p.229.

Frank Lloyd Wright wrote about Barnsdall and her house. “Herself a pioneer, this daughter of the pioneer lived up to integral romance when all about her was ill with pseudo-romantic in terms of neo-Spanish, lingering along as quasi-Italian, stale with Renaissance, dying or dead English half-timber and Colonial” . Wright was the American advocate for a more modern architecture.

posted by Don Tishman at 10:19 pm  

Thursday, February 18, 2010

Frank Lloyd Wright- genius innovator and architect-Part 1

Frank Lloyd Wright was an architect for 73 year.  Not withstanding the length of his career,  Wright’s accomplishments are truly awesome.

When you visit the Chicago suburb of Oak Park, you can see Wright’s genius in his designed houses. All these Wright homes are over 100 years old. Today, these Wright houses look like contemporary home

Prairie Homes

The W.W. Willits house- first Prairie House- 1902

Wright created the prairie house with a horizontal line, meant to blend with the flat midwestern landscape. Wright designed broad, open spaces instead of strictly defined rooms of the Victorian era. He said ” the reality of a building is not the container but the space within”

The W.W. Willits house, built in Highland Park, Illinois in 1902, was the first house that embodied all the elements of the prairie style. His masterpiece of the prairie style is the Robie House, built in Chicago in 1909. The Robie House is considered one of the most important buildings in American architecture- a forerunner of modernism in architecture. Tours of the Robie House attracts visitors year round.

File:Robie House exterior HABS ILL,16-CHIG,33-1.jpg

Robie House – designated by the American Institute of Architects as one of five greatest American houses.

Wright did not aspire simply to design a house, but to create a complete environment, and he often dictated the details of the interior. He designed stained glass, fabrics, furniture, carpet and the accessories of the house. Legend has it that, in at least one case, he even designed the gowns of his client’s wife.The controlling factor was seldom the wishes of the individual client, but Wright’s belief that buildings stongly influence the people who inhabit them. He believed that “the architect is a molder of men, whether or not he consciously assumes the responsibility .

The name prairie house is derived from a 1901 story, A home in a Prairie Town, that appeared  in the Ladies Home Journal about the house Wright designed for the magazine. After the magazine was published, Wright became the toast of Europe. He traveled to Germany where a best selling book of his drawings was published. Although Wright became a celebrity architect in Europe, in the United States, the architectural establishment was very critical of his work.

Larkin Building

LarkinBuilding.jpg

Larkin Building

Wright’s practice was not only houses. In Buffalo Wright designed the Larkin Building. Larkin Company administration building, the first entirely air-conditioned modern office building on record.  It is block like and extremely simple in its forms, and has very little ornamentation….the Larkin building was decisively vertical…Indeed, it was the first consciously architectural expression of the kind of American structure which Europeans were beginning to discover to their delight: the great clusters of grain silos and similar industrial monuments that men like Corbu and Gropius found so exciting in the early 1920s.

“I think I first consciously began to try to beat the box in the Larkin building [Wright said years later]. I found a natural opening to the liberation I sought when [after a great struggle] I finally pushed the staircase towers out from the corners of the main building, made them into freestanding, individual features.”  — Frank Lloyd Wright.

Unity Temple- a Unitarian Church

Unity Temple

The architecture of Unity Temple represents a dramatic departure from customary design for a house of worship, even by modern standards. Frank Lloyd Wright designed this structure over 100 years ago specifically to “not merely create a religious structure, but one that fitly embodies the principles of liberal religion for which this church stands… unity, truth, beauty, simplicity, freedom and reason.”

There are very specific reasons why the building was designed and constructed in such a unique manner.  This is a cubist structure of poured concrete- one of the first of poured concrete buildings.

Unity Temple is considered to be one of Wright’s most important structures dating from the first decade of the twentieth century. Because of its consolidation of aesthetic intent and structure through use of a single material, reinforced concrete, Unity Temple is considered by many architects to be the first modern building in the world. This idea became of central importance to the modern architects who followed Wright, such as Mies Van Der Rohe, and even the post-modernists, such as Frank Gehry.

Imperial Hotel
File:Imperial Hotel Wright House.jpg
right had long been intrigued by Japanese culture (he was an avid collector of Japanese prints), so when the opportunity came to build a project in Tokyo, the Imperial Hotel he lobbied for the project. Commissioned in 1916, the hotel was to represent the emergence of Japan as a modern nation and symbolize Japan’s relation to the West. To that end, Wright designed the building as a hybrid of Japanese and Western architecture.

But in its scale, and in its play with surprise elements, the Imperial Hotel is completely Japanese. Wright was apparently so struck by the smallest of Japanese things that he made everything in the Imperial Hotel tiny…There were little terraces and little courts, infinitely narrow passages suddenly opening into large two- or three-story spaces;…And there were many different levels, both inside the rooms and outside the buildings, including connecting bridges between the two long, parallel wings of guest-rooms. Finally, Wright achieved something almost unheard of in hotel design: in this most standardized of all fields of cubicle architecture he succeeded in making almost every guest-room different from every other

“…I have sometimes been asked why I did not make the opus more ‘modern.’ The answer is that there was a tradition there worthy of respect and I felt it my duty as well as my privilege to make the building belong to them so far as I might. The principle of flexibility instead of rigidity here vindicated itself with inspiring results.” Frank Lloyd Wright.

Although the hotel survived the earthquake of 1926, The Imperial Hotel was demolished in 1968. The entrance lobby was saved and reconstructed at the Meiji Mura architecture museum in Nagoya.


posted by Don Tishman at 11:00 am  

Tuesday, February 2, 2010

architects and builders future

The overall U.S. unemployment rate is 10%. For professionals, this rate  was 4.4%. For architects 20%. The construction industry is also 20%. This rate varies by states and communities. For example,  Minnesota architects, according to the local chapter of the AIA, the rate is over 40%.  It is no coincidence that multi-family starts are the lowest in 40 years.  Much risk must be taken out of the development process to give the lenders the confidence to finance real estate development.

A TRIPLE WHAMMY

Most architects work is provided by public bodies or building developers. With most State and local governments suffering huge deficits, there is a scarcity of public work. Because  developers are starved for available financing for private real estate development, there is a scarcity of private work. The Stimulus Program was Congress and the Administration’s answer to this horrible economic collapse. This much heralded Federal Stimulus Funds were scheduled for developments that were “shovel ready”. This law was passed and funded a year ago. Based on the present unemployment rates for architects and construction workers, it would appear that the stimulus funds have not impacted these fields.  I  would guess that most of the stimulus funds spent to date went for operational costs not capital costs. To pay for operational deficits of state and local governments, not the building of “shovel ready” developments. What will happen next with the remaining stimulus funds is everybody’s guess.

HELP FOR THE DESIGN AND BUILDING PROCESS

New BIM (building information modeling) technologies have begun to replace traditional drafting with three-dimensional modeling. With the development of the Building Information Modeling (BIM), the increasing role of contractors, material suppliers, and owners will have a larger impact on a building’s evolution.  Will this lower the importance of architects in the design of buildings?  This is heralded as a saver of development time and cost. To take advantage of this new technology, everybody in the development process must be skilled in this BIM process.  Getting up to speed presents a major obstacle, as software and training can be prohibitively expensive. There must be a massive program to bring the development community up to speed on BIM at an affordable cost. The community benefit of developing  better designed and less costly buildings will be getting our economy up to speed.

Architecture — and design in general — is about problem-solving.  There may be a  tremendous opportunity in pushing “a more holistic view of design,” in solving a broader pool of problems that might expand the client base beyond building developers.  It’s not necessarily just designing things that are physical. It’s designing programs, solutions that can be social or environmental. For example, a community program can he developed in that focuses on reducing energy consumption. As architects learn to more broadly apply their trade, new economic opportunities will emerge.

In an earlier edition of this blog, I told about the warning to architects in Progressive Architecture written some 40 years ago. This concerned construction managers replacing architects as the “master builder”. How many “clerk of the works” do you see on construction jobs today? The role of the clerk of the works is primarily to represent the interests of the owner in regard to ensuring that the quality of both materials and workmanship are in accordance with the design information such as plans, specification and engineering drawings, in addition to enforcing quality standards. This was done by the clerk of the works for over 600 years. The only group that has liability for not attaining these goals is the architect. These substitutes for the architect in representing the owner’s interest during the construction only add an additional layer of bureaucracy. This wastes time and money with no added responsibility.  Put this role where the liability is and where the best knowledge of the plans and specifications are- with the architect.

A building is an economic entity whose goals are to take care of unmet user’s need, provide a public benefit, and meet the economic goals of the lenders and investors.

1. To meet the user’s needs. the quality and quantity of the space must adhere to the plans and specs.

2. To meet the public need , the buildings must adhere to all zoning and building codes.

3, The lenders and investors goals are the building is constructed  for the budget within the scheduled time.

The standard construction contract published by the AIA makes the architect the determiner of #1.

The local authority provides for With  #2.

The contractor signs a contract for #3. By virtue of this contract, the contractor can ask for a change order because of unforeseen events, inconsistencies between inn the plans, spec or between the two. The BIM shall eliminate many of these.  With the BIM, much improved early estimates of job cost, will have more buildings built within budget.

The architect designs the development based on the economic goals developed by the developer. What is the best answer to have the development these goals.?

Through an integrated project delivery method, owners, designers, and builders can move toward unified models and improved design, construction, and operations processes.  In response to increasing owner demand, architects, engineers, construction managers, contractors, and specialty disciplines are forming strategic alliances and working in new and innovative ways.  The use of integrated project delivery and Building Information Modeling (BIM) will advance integration of the design and construction processes, allowing greater predictability of project outcomes.

With the evolution of design comes the evolution of new collaborations, technology, and best practices. Increasing value through shared information fosters amazing accomplishments…and increased sharing requires effective collaboration.

This will provide the confidence to lenders to start funding new buildings.

posted by Don Tishman at 8:03 pm  

Friday, January 29, 2010

BIM-Building Information Modeling

Building Information Modeling (BIM) is a new approach to design, construction, and facility management in which a digital representation of the building process is used to facilitate the exchange and interoperability of information in digital format. BIM is beginning to change the way buildings look, the way they function, and the ways in which they are designed and built. BIM can avoid the damage caused by  many variances between specifications and drawings and also between pages of  a set of drawings

Building information modeling covers geometry, spatial relationships, light analysis, geographic information, quantities and properties of building components (for example manufacturers’ details). BIM can be used to demonstrate the entire building life cycle, including the processes of construction and facility operation. Quantities and shared properties of materials can be extracted easily. Scopes of work can be isolated and defined. Systems, assemblies and sequences can be shown in a relative scale with the entire facility or group of facilities. Which specification is the most economical over the building’s life cycle?

BIM goes far beyond switching to a new software. It requires changes to the definition of traditional architectural phases and more data sharing than most architects and engineers are used to.

BIM is able to achieve such improvements by modeling representations of the actual parts and pieces being used to build a building. This is a substantial shift from the traditional computer aided drafting method of drawing with vector file-based lines that combine to represent objects.

The interoperability requirements of construction documents include the drawings, procurement details, environmental conditions, submittal processes and other specifications for building quality. It is anticipated by proponents that BIM can be utilized to bridge the information loss associated with handing a project from design team, to construction team and to building owner/operator, by allowing each group to add to and reference back to all information they acquire during their period of contribution to the BIM model. For example, a building owner may find evidence of a leak in his building. Rather than exploring the physical building, he may turn to his BIM and see that a water valve is located in the suspect location. He could also have in the model the specific valve size, manufacturer, part number, and any other information ever researched in the past, pending adequate computing power.

Definitions of Interoperability

Interoperability is viewed with both a narrow and broad perspective by the construction industry. From a purely technology-based view, interoperability is the ability to manage and communicate electronic product and project data among collaborating firms.

However, many build team members also see interoperability at a cultural level. Beyond the technology, interoperability is often defined as the ability to implement and manage collaborative relationships among members of cross-disciplinary build teams that enables integrated project execution.

These perspectives are interrelated and can be symbiotic. Interoperability of technology enables efficiency at a practice level. If all members of a build team can freely exchange data across different applications and platforms, every member of the team can better integrate the project delivery. Many firms are already moving toward more collaborative teams, especially with the expanded use of design-assist and design-build on projects. As teams become more integrated, they are increasingly demanding technology solutions that benefit those relationships.

Definitions of BIM

Like interoperability, Building Information Modeling (BIM) can be defined from both a technology and process point of view. The National Institute of Building Sciences (NIBS) in its National BIM Standard defines BIM as “a digital representation of physical and functional characteristics of a facility. As such it serves as a shared knowledge resource for information about a facility forming a reliable basis for decisions during its lifecycle from inception onward.” This database contains the physical and function- al characteristics of a structure composed of intelligent objects rather than lines, arcs, and text. BIM can render multiple views of data including 2D drawings, lists, text, 3D images, animation, as well as elements of time/scheduling (4D) and cost (5D).

As noted above, BIM is also a way to share data throughout the entire lifecycle of the structure. This data can include the initial design data; geospatial information; financial and legal data; mechanical, electrical, and plumbing (MEP) layout; building product specifications, environmental and energy modeling results; and other information that can be used collaboratively by architect, engineer, contractor, and owner (AEC/O) professionals during the project life cycle and by facilities managers after the project is completed.

BIM and Interoperability

Factors Influencing the Use of BIM

Interoperability issues are gaining attention with increased use of BIM. In addition to using BIM to create 3D design, these models are a rich database of the physical and functional characteristics of a facility. In order to optimize the use of BIM, it is critical that much of this BIM data be shared between build team members. As a result, interoperability of

68% Less Time Drafting More Time Designing

49% of Owners Demanding It On Their Projects

technology is an important factor. Re-entering data from a BIM into another application or platform used by the build team creates wasteful and costly duplication

BIM’s Ability to Improve Communication with Clients/Others in Design and Construction Process

Parametric

Modification of Designs With BIM

Opportunity to Reduce Construction Costs

Improved Interoperability

Reduced Number/Need for Information Requests

Improved Document Version Control

Improved Budgeting/Cost

Opportunity to Reduce Construction Time

Clash Detection Capabilities of BIM Tools

Reducing Insurance Claim

Because of BIM

Improved Scheduling Capabilities with BIM Tools

Compliance Code Checking

Safer Worksites Because of BIM

BIM is a digital representation of physical and functional characteristics of a facility. As such, it serves as a shared knowledge resource for information about a facility, forming a reliable basis for decisions during its life- cycle from inception onward.

A basic premise of BIM is collaboration by different stakeholders at different phases of the life cycle of a facility to insert, extract, update or modify information in the BIM to support and reflect the roles of that stakeholder. The BIM is a shared digital representation founded on open standards for interoperability.

The U.S. National BIM Standard promotes the business requirement that this model be interoperable based on open standards.Integrated Practice/Integrated Project Delivery (IP/IPD) leverages early contributions of knowledge and expertise through the utilization of new technologies, allowing all team members to better realize their highest potentials while expanding the value they provide throughout the project life cycle.

Through an integrated project delivery method, owners, designers, and builders can move toward unified models and improved design, construction, and operations processes.

Productivity

Productivity levels within the construction industry have been a source of intense debate in recent years. As construction values have risen to record–high levels, productivity within the industry has come under scrutiny. Paul Teicholz, Ph.D., of Stanford University suggests that while overall industrial productivity has significantly increased in the United States, construction industry productivity is on the decline. Teicholtz claims that while total non-farm productivity more than doubled between 1964 and 2004, construction productivity dropped by nearly 20% during that time.

Impact of Interoperability on Productivity

Associated with concerns about productivity, owners and industry groups are troubled by the level of waste resulting from a lack of interoperability. The industry generally perceives lack of interoperability as an impediment to improving productivity.

The National Institute of Standards and Technology (NIST, www.nist.org) set off alarms about the issue in 2004, estimating that lack of interoperability costs the U.S. capital facilities market—including commercial, institutional and industrial—facilities $15.6 billion per year. On a global basis, that would equal more than $60 billion. The study estimated that between 0.86% and 1.24% of construction spending is directly related to inadequate interoperability. Owners bore nearly two-thirds of those costs.

The industry perceives that the problem is much greater than the NIST study suggests. On average, build team members surveyed for this report estimate that about 3% of project costs are related to software non-interoperability. Within today’s $1.2 trillion U.S. construction market, which represents all construction sectors, such an estimate would equate to $36 billion in annual waste. In the $4.6 trillion global market, that would extrapolate to $138 billion.

Key Players There are several key players who generate large amounts of data that need to be shared among build team members during a project’s lifecycle. Within the dynamic, continual exchange of information on a typical project, one team member’s data will often affect the work of the entire team, requiring constant updating of facts, figures and analyses.

Architects

Generated at a related to the physical and functional characteristics of a facility’s design.

Plans and drawings are often updated throughout the project lifecycle, reflecting changes in budget, schedule and design elements.

Nine out ten often share high to moderate levels of data. See software incompatibility as the biggest obstacle

to data sharing.

Estimate that lack of interoperability contributes3.3% to project costs.

Engineers

Generate data related to the design of a facility’s systems and analysis of its characteristics.

Data from analysis can often lead to changes in design, affecting schedule and budgets.

Data from building systems, such as mechanical,electrical and plumbing, are used to detect potential spatial interferences between systems that could lead to costly change orders.

Three-quarters share high to moderate levels of data. See software incompatibility as the biggest obstacle

to data sharing.

Estimate that lack of interoperability contributes 3.6% to project costs.

Contractors

Generate data related to scheduling,building product quantities, cost estimating and project management.

Establish and update schedules and costs information that can affect the design of a project.

Three-quarters share high to moderate levels of data. See software incompatibility as the biggest

obstacle to data sharing.

Estimate that lack of interoperability contributes 2.9% to project costs.

Owners

Need regularly updated data about budgets and schedules as it is adjusted throughout the project lifecycle.

Require data related to operations and maintenance of a facility for use after a project is completed.

Seven out of ten share high to moderate levels of data. See software incompatibility as the biggest obstacle

to data sharing.

Estimate that lack of interoperability contributes 2.5% to project costs.

Building Product Manufacturers

Generate data related to building products such as dimensions, weight, appearance, cost, warrantees and future maintenance.

Data affects costs and design.

Practice

In response to increasing owner demand, architects, engineers, construction managers, contractors, and specialty disciplines are forming strategic alliances and working in new and innovative ways. For articles and other resources relating to changes necessary in practice and business culture that support Integrated Practice go to the IPD Practice page.

Technology / BIM

Integrated project delivery brings into play new technologies, especially those bridging across building design, construction, and operations boundaries. The use of integrated project delivery and Building Information Modeling (BIM) will advance integration of the design and construction processes, allowing greater predictability of project outcomes.

Key Players There are several key players who generate large amounts of data that need to be shared among build team members during a project’s lifecycle. Within the dynamic, continual exchange of information on a typical project, one team member’s data will often affect the work of the entire team, requiring constant updating of facts, figures and analyses.

The American Institutes of he Architects (AIA) has proposed a contract for developments that design and build with the use of 3 3D models.

The Associated General Contractors (AGC) has proposed a different contract for projects using 3 D models. Many other building industry groups are advocating the AGC  version.

The General Services Administration (GSA) is in charge of developing and managing Federal buildings has their own version.

Building Information modeling (BIM) is an emerging approach to the design,analysis, and documentation of buildings. BIM is the management of information throughout the entire life cycle of the design process, from early conceptual sketches through construction administration, and even into facility management.  Information includes all the inputs that are used in a building design: number of doors and windows, cost of materials, the size of heating and cooling equipment, the total energy footprint of this building, et. al. This information is captured in a digital 3D model that is shown as coordinated documents, is shared across disciplines, and serves as design management tool. The BIM method will radically change the way buildings are designed and built. The expectation of a building is changing. We are shifting from 2D drawings to on demand simulations of building performance, usage and cost. I have always felt that “value engineering” means “less for less”. With BIM we are able to check the life cycle cost of almost material that is called for in the design. This cross discipline means models can be sent directly to fabrication at the outset of design \, by passing the need for traditional shop drawings. Energy analysis can be done at the outset of design, and most critically, construction costs become much more predictable.

BIM has changed how designers and contractors view the entire development process. With BIM. a parametric 3D model is used to generate traditional building abstractions such as plans, sections, elevations, details, and schedules. These are interactive representations.  Working in a model-based framework guarantees that a change in one view will cause changes in all other views of the model.

3D models improve understanding of the building, and its spaces. A variety of design options can be shown to the owner and other members of the development team.

The key difference between BIM and computer-aided designCAD) is that traditional CAD systems use many 2D documents to explain a building. Because these documents are created separately, there is no correlation or intelligent connection among them. A wall in plan view is represented with two parallel lines with no understanding that these lines represent the same wall in a section. The probability of uncoordinated data is very high. The BIM model is a centralized database model, it puts all the data in one location and then cross links that data among the different objects. This model is interdependent and shares intelligence.

If a change is made in a CAD set of drawings, the designer must change each page.  The BIM manages the changes for you.

In 2D drawings you draw two lines to represent a wall. In BIM, to draw a wall you use the interactive tool called Wall. This wall tool asks for width, height, bearing or non-bearing, demolish or new, interior or exterior, fire rating, and materials.The wall interacts with other walls to automatically join geometries and clean up connections, showing how the wall will be built.  Similarly, if you add a door to his wall, it more than four lines and an arc, it is a door in plan and elevation. A single flush door can be 32″, 34″, or 36″, It can be painted or solid wood. All of these sizes and colors can be part of the same brand, with different parametric values applied.

BIM can bring the design, construction, and management of buildings into the twenty-first century. It takes teamwork and the same goal for all to eliminate the adversarial  relationships that have plagued the building of structures for many generations.

posted by Don Tishman at 8:43 pm  

Tuesday, January 26, 2010

Design innovation awards for 2010

The 2010 Progressive Architecture awards recognizes innovative design. Every year, the winners are chosen by a jury of distinguished peers, based on an appreciation of design innovation.  Here are the 2010 P/A design awards as shown in the January, 2010 edition of Architect magazine.

the massing of the taiyuan museum of art speaks to the building’s unique plan, section, and gallery shapes. courtyards and exterior spaces, worked into the core of the building, create opportunities for views to the outdoors from multiple galleries and other interior spaces. the careful shaping and patterning of the windows serve to choreograph a visitor’s view experience.

Taiyuan Museum of Art by Preston Scott Cohen

At the core of the museum’s design is a desire to harness and respond to modern technologies for the control of both artificial and natural light. The building’s curving, interwoven, and overlapping form creates ample opportunities for exploring the relationship of light and shade, and the architects employ multiple strategies—skylights, overhangs, and enclosed spaces—to choreograph the interplay. In so doing, they generate a form that flies in the face of the conventions of museum design and promises to redefine the visitor experience. “I think it’s going to engage a larger audience with architecture,” said juror Stan Allen.

Preston Scott Cohen—principal of his eponymous 10-person Cambridge, Mass., firm—created five wings for the project that are intermingled like the strands of a knot, allowing visitors to either follow a curated path or move seamlessly back and forth between the galleries. The building’s dynamic footprint creates vignettes so that a visitor in one gallery can look into another and into a small exterior green space simultaneously, without detracting from the experience of the art. “It’s trying to create new audiences, and new possibilities for new types of space,” said juror Sarah Dunn. “It has a certain publicness to it that makes it more interesting.”

The knotlike plan drew widespread praise from the judges. “The museum is clearly a wonderful piece of architecture,” Diane Hoskins said. “‘Can it be done?’ is the question. But I think it’s a fantastic project.”

the langelinie and marmormolen towers form the lm harbor gateway, which serves as the new entry point to copenhagen harbor. the office towers are connected by a cable-stay bridge suspended 213 feet above the water’s surface.
LM Harbor Gateway by Steven Holl Architects

Two piers forming the entrance to Copenhagen Harbor.  A pair of towers with more than 600,000 combined square feet of office space, civic areas, and a suspension bridge providing a public circulation path 200 feet above the harbor.

a shingled skin wraps the original building, pulling up at the base to create a more dynamic entry sequence than existed previously. the move reorients the external circulation and engages with the surrounding campus streets and buildings.

John H. Daniels Faculty of Architecture, Landscape, and Design By Office dA, Boston—

The building that houses the university’s architecture school sits on a corner site at the edge of campus, but it doesn’t engage with the streetscape effectively. Office dA (with architect of record Adamson Associates Architects) solved this problem with a skin of glass panels that reorients the entry sequence to the corner of two major streets, giving the building more prominence on both. At the entry point, the skin lifts to reveal the original building, and a combined stairway and ramp that snakes to the original main entrance. The double-skin system has insulated glass units that are engineered to optimize thermal performance.

Behind the new façade is an addition to the existing five-story building that adds another two stories of studio and library space. “It maximizes the density by building up. It’s a good solution,” juror Stan Allen said. Skylights installed in a green roof let ample daylight into the core, and a series of double-height flexible spaces are added onto and retrofitted into the original building. Usable for critiques and lectures and as lounges, these spaces also provide staircases, allowing for increased social interaction between staff and students, creating a greater sense of community than the existing building allows.

situated in a cove on the dubai waterfront, the matrix gateway complex is a 180-meter mixed-use cube that rests above the water and in between two landmasses. a road passes through the center of the mega-building, and boats can pass under the exterior walls of the cube, which is adjacent to a 1-million-square-foot park.

Matrix Gateway Complex by Adrian Smith + Gordon Gill Architecture,

A 3-million-square-foot enclosed cube with urban infrastructure supporting residential, commercial, hospitality, and cultural uses

It seemed until recently that Dubai was going to continue forever its quest to build taller, faster, better buildings. But the Matrix Gateway Complex, by Adrian Smith + Gordon Gill Architecture, while certainly no small project, seems to take a different tack. “I appreciate the sort of restraint of this, the notion of making a kind of interior world that might have potential for a new kind of experience. It’s not simply about making some sort of icon on the skyline,” said juror Stan Allen. The massive 180-meter (590-foot) cube is built on an 18-meter (59-foot) supergrid, with steel frame structures clustered around, and hung from, five vertical cores. Accessible via a roadway that passes through the center of the building, a helipad, and a boat dock, the cube has a hotel with conference facilities, retail and office space, residences, a museum, a school, and a prayer hall—all of the major elements of a small city.

The semi-transparent skin that covers the structure is embedded with shading screens and solar panels, which reduce heat gain while generating some electricity for the complex. Additionally, the condensate from the humidity in the air will be collected and converted into drinking water. The water from the adjacent Persian Gulf will help cool the complex, as will interior waterfalls and breezes flowing through the skin. Juror John Peterson appreciated the architects’ approach and summed it up as, “ ‘We can do anything we want, so why not create something holistically?’ ”

the ground floor entry space has a bar and lounge seating; it is from this point that the ramps begin to lead up to the venue floors above. in an effort to maximize durability and sound abatement while still maintaining the grungy rock-and-roll aesthetic, the architects decided to clad the ceiling in felt panels and the bar in neoprene.

Theatre 300b / Works Partnership Architecture
Designed for a 100-foot-square plot,near a major highway in an industrial neighborhood in Portland, Or., is this 2,000-seat theater designed to hold rock concerts. The small footprint requires a vertical organization, and the stage and audience spaces are fronted by a series of ramps that provide circulation and informal gathering spaces.  Filling a void in Portland’s thriving music scene for a venue bigger than a club and smaller than an arena—a need that was all too obvious to the client, one of the area’s largest music promoters
the courtyard-facing walls of the housing blocks are clad in concrete board panels painted with a pixelated image of a treescape.
BGBX / 5468796 Architecture

BGBX is designed for a 34,435 vacant lot on an industrial strip in Winnipeg, Canada. The surrounding neighborhoods are residential. The development is twenty-four units of housing, flexible commercial space, and covered parking arranged around a central bioswale courtyard, with public decks connected by circulation bridges.  To create a sense of community in an inhospitable environment, 5468796 Architecture turned to an unlikely source of inspiration: the big box store. Calling upon their experience with projects ranging in scale from private residences to airport hotels, this 12-person Winnipeg-based firm began the design process for BGBX with a simple volume that filled the site. From there, the team carved out pathways and a central courtyard, resulting in six discrete, but irregularly shaped, housing blocks. Contained within them are 24 residential units ranging in size from 660 to 1,195 square feet. While some jurors expressed concern about the scheme’s inward focus and wondered if the architects missed an opportunity by turning the building’s back on the neighborhood with anonymous corrugated metal cladding, juror John Peterson was taken with the approach. “I think it’s pretty provocative,” he said.  The courtyard is a public green space, accessible not only to residents but also to the surrounding community. A lush bioswale is accented with decks, a gazebo, and bridges to encourage open use of the park—the only one in the industrial neighborhood. The façades of the housing volumes facing the courtyard are clad in concrete board panels that are hand-painted with pixelated images of trees. This effect intensifies and blends with the summer foliage and provides a warm contrast against the bleak winter snowfall. “I like it,” said juror James Richärd, “and I almost wish the core had actually gotten even more playful.

climbing the façade is a series of switch-backing ramps that allow access to the after-hours restaurant, piano bar, and rooftop movie theater. the ramps draw the streetscape up the front of the building, creating a vertical boulevard.Museum of Image and Sound / Diller Scofidio + Renfro

A narrow infill site on the Roberto Burle Marx–designed promenade fronting Copacabana beach in Rio de Janeiro was used for the six-story museum building houses exhibition space, administrative areas, and workshops, as well as a restaurant, piano bar, auditorium, and rooftop movie theater designed for a Brazilian contemporary arts and education nonprofit organization.

The façade and building massing are defined by a series of ramps that climb up from street level. This extends the beachfront promenade into a sort of vertical boulevard that serves a functional as well as programmatic purpose: The exterior ramps allow patrons to access amenities such as the restaurant and rooftop theater after the museum galleries have closed. This impressed juror Sarah Dunn, who said, “The level of ambition here is very high.”

The building skin features a choreographed progression of expanses of glazing and small apertures. Carefully arranged to curate the view from inside the building, these windows showcase views of the sky, water, beach, and street—four defining elements of the area. Aiding in this view strategy is the fact that the building’s core is located at the western edge, allowing the bulk of the building facing the beach to be open to varied glazing.

The interior is organized around central voids. Ramps and stairs connect split-level exhibition spaces and a projection gallery. The intermingling of these display spaces with retail and entertainment areas creates a vibrant atmosphere. Which is fitting, because, as juror Stan Allen put it, “If there’s a place for exuberant architecture, it’s the beach in Rio

The façade of the River Center Library is formed from a framework of crisscrossing steel that is infilled with concave glass panels, which give the building an accordion-like appearance. The perimeter glazing allows maximum daylight into the interior while maintaining a transparency that allows passersby to see the people and books within.

River Center Library / Trahan Architects

What If the Pages of a Book Opened Into a Building?

A five-story public library with perimeter ramp circulation around central stacks was designed for the Baton Rouge River Center, an urban area bridging cultural and civic districts, adjacent to a green boulevard.  The folded form of the library building is derived from sheets of paper, connected at the corners and then lifted to make a lattice. “It is interesting,” juror Diane Hoskins said. “It’s a play with the geometry.” But local firm Trahan Architects took this beyond a simple formal gesture, creating gently sloped stairs along the perimeter that provide circulation through, and determine the program of, the building.

The stacks are located at the center of the building on concrete slabs, and the edges of those slabs are finished and exposed to the visitors as they walk up the stairs to reach the next level. Each floor is accessible via both the stairs and a central elevator. “I think it’s pretty impressive,” juror John Peterson said. “For me, the challenge with libraries is the relationship between how one moves through the stacks and deals with access. This solution is pretty nice.”

A void between the perimeter ramps and the concrete slabs that support the stacks allows visitors to see multiple levels of the library at once, an effect that intrigued juror Adele Chatfield-Taylor. “I like the way it is porous going vertically,” she said. “That’s very attractive in a library, because it makes you curious about the rest, the way it gets used.”


posted by Don Tishman at 6:08 pm  

Monday, January 25, 2010

Innovative designs- NYC and Chicago

Skidmore, Owings & Merrill (SOM) designed this innovative glass sided Zuckerman Research Laboratory Center for the Sloan-Kettering Cancer Center in New York City.  The building presented  a heat loss problem.  As you know frequently in glass framed building- the south facing side  of the building is hot while the north facing side is cold.   Zuckerman Research Center innovative  design is aimed to maximize daylight without this usual heat gain.

Zuckerman Research Laboratory Center for the Memorial  Sloan-Kettering Cancer Center in New York City.
“ We were fortunate, because the New York street grid shifts toward the southeast and northwest, and that allows us to employing effective shading devices,” said SOM partner Mustafa Abadan, FAIA.  Thanks to its orientation, this building  experiences the harshest sun penetration toward the end of the day. To mitigate resulting glare and heat gain, SOM developed a ceramic pattern for that side of the building. “The building was designed a bit prior to true parametric modeling; we were doing this like calculus,” Abadan says of his team’s iterative mockup process, which, with heat-gain calculation software, helped determine the final composition of the glass. The graduated density of the glass corresponds directly with the bench-aisle-bench layout: Abadan explains that “the lab benches essentially enjoy clerestory light due to the way the glass pattern is arrayed, and aisles get a clear view outward.”

Despite appearances otherwise, just half of the northwest elevation of the Zuckerman Research Center comprises vision glass. The remainder of the curtain wall is covered, which meld into the glass pattern for visual consistency without emitting further heat load into the interior. Underneath all of it a second skin of metal louvers stretched over the structural frame allows mechanical systems to draw air in and out of the building.

Opposite the labs, the southeast-facing office wall is virtually floor-to-ceiling double-glazed glass with low-emissivity coating. Exterior bracket-mounted horizontal-louver elements serve as efficient shading devices. “We had the ability to make the wall more transparent because the heat load there was handled primarily through the horizontal sun-shading devices,” Abadan says; “the very early sun that would penetrate into the building is not that strong, and there are few people in the building during those hours.” SOM calibrated these aluminum louvers according to daily angles of incidence, but with an eye to avoiding snow and ice accumulation.

At the time SOM undertook the Zuckerman design process, integrating photovoltaics into the facade proved impractical. But the systems the architects did employ effectively met other sustainability aspirations. Almost all building occupants have access to natural illumination most of the day, for example. And in conjunction with Lutron lighting controls, abundant daylight has helped achieve a 20 percent—and potentially higher—reduction in energy use compared to a similar code-compliant building.

The Aqua Tower by Chicago architect Jeanne Gang

A daring piece of architecture. Aqua comes off more as a massive sculpture than as a residential block in the crowded heart of the city.  This in not a conventional skyscraper, Aqua is special. Finally, a residential high rise that is great sculpture while being attractive and distinctive.

At its heart it is the standard glass box that  we’ve seen before. But protruding from its surface are undulating concrete balconies resembling ripples or waves. But the ripples are not without challenge. Much like each wave in the lake, each floor plate in Aqua is unique. And for homeowners, not all units are equal. While some people may have a balcony up to 12 feet wide, others balconies will be smaller.

Aqua was originally envisioned as a split between condominiums and a hotel. Because of changing economic factors some of the condominium units were changed to apartments. Further economic turmoil took its toll on the hotel aspect of this project. Strategic Hotels & Resorts planned to buy 15 floors of Aqua to expand its Fairmont Hotel across the street, but in October, 2008 it pulled out of the project. These are times that also call for innovative developers.  The distinctive  appearance of the Aqua Tower will serve it well. It separates this building from every other high rise in Chicago. My hat is off to the developers and lenders who encouraged this design. I am looking forward to seeing more of this architect’s work.

The Aqua Tower by Studio Gang Architects in Chicago’s Loop area

Unlike a tower in an open field, new towers in urban environments must negotiate small view corridors between existing buildings. In response to this, the Aqua Tower is designed to capture particular views that would otherwise be unattainable. Among the building’s notable features is the green roof terrace atop its plinth—which at 80,000 sf is one of Chicago’s largest—that contains an outdoor pool, running track, gardens, fire pits and yoga terrace.

A series of contours defined by outdoor terraces extends away from the face of the tower structure to provide views between neighboring buildings. These outdoor terraces, cantilevered up to twelve feet, differ in shape from floor to floor. The terraces inflect based on criteria such as the view, solar shading and size and type of dwelling. When viewed together, these unique terraces make the building appear to undulate, presenting a highly sculptural appearance that is rooted in function. Aqua creates a strong identity through its architecture and has become a landmark addition to the Chicago skyline.

Early and close collaboration between architect and builder, as well as the use of contemporary building information modeling, allowed the variation in the shape of the floor slabs to be achieved without increasing the building’s construction timetable. The result is a high-rise tower particular to its site that allows residents to inhabit the facade of the building and the city at the same time.

“Aqua Tower was shaped by an organic, site-specific design process. Rather than starting out with the goal of creating an icon, we let the climate and views shape the building, weaving it into its surroundings and treating the building and its environment as interconnected not separate. Even though it may appear to be formally expressive, it is equal parts data and imagination.” – Jeanne Gang, Design Principal Architect.  Jeanne was a Rotary International Scholar.

The top photo shows how the exterior is viewed. The other two photos show how the architect created the wonderful exterior effect. Notice how the balcony widths vary- giving the sculptural look

Hats off to the architects involved, Incidentally this one of the highest, if the highest building, designed by a woman architect. More are on the horizon!!

posted by Don Tishman at 4:02 pm  

Friday, January 22, 2010

Jobs promised, Jobs, funded, still no jobs

Millions of jobs were promised after the Stimulus laws were passed. Stimulus money was set aside for these jobs. But the bitter reality is-  unemployment has increased since the Stimulus passed. Where are these jobs? The stimulus money was sent to various local and state governments. These jobs are free for these various government agencies- they have no burden of paying for these jobs. Handing out these jobs will create wonderful good will for these elected officials.  But still no jobs. Because most of these public employees have no incentive to use innovative methods to help the unemployed get these jobs. They just follow the old bureaucratic rules.

Here is an example:  $12.7 billion of Stimulus that was created  for construction jobs in housing. This money was supposed to go from the Department Housing and Urban Development to local Public Housing Authorities. Where is the money? Where are these jobs? these jobs are still absent.

Total: $12.7 billion is to be spent as follows:

  • $4 billion to the Department of Housing and Urban Development (HUD) for repairing and modernizing public housing, including increasing the energy efficiency of units.
  • $2.25 billion in tax credits for financing low-income housing construction
  • $2 billion for Section 8 housing rental assistance
  • $2 billion to help communities purchase and repair foreclosed housing
  • $1.5 billion for rental assistance and housing relocation
  • $510 million for the rehabilitation of Native American housing
  • $200 million for helping rural Americans buy homes
  • $130 million for rural community facilities
  • $100 million to help remove lead paint from public housing

Have you noticed any of the $2 Billion being spent locally for repairing foreclosed homes?  Although you may have seen many pictures on TV of neighborhoods being devastated by foreclosures and cannibalization of empty foreclosed houses.

Like any legislation, laws are not self-executing. Although Congress may congratulate itself for the Stimulus, but that does not create jobs. There must be zealous execution of these new laws. Obviously that has not happened.

That is where millions of unemployed Americans are, waiting for the promised jobs. While public employees wasted a year while doting i’s and crossing t’s following  old bureaucratic rules required to spend the Stimulus money!  Or if the agencies would have changed the rules  necessary to to get the jobs soon after they received the allocation. What about the delays caused by the Obama administration’s elaborate competition for these Stimulus funds?  Did anyone consider the incentives and speed of action created if the Stimulus money went to private business rather than pubic employees and their complex rules?

Imagine you are a Massachusetts unemployed construction worker- there are many, many of these. You are excited by the February 2009 announcement by President Obama that construction jobs will be soon available. You tell your creditors to hold on, the President has promised many new construction jobs. That was a year ago, still no job, now you have lost credibility with your creditors. How do you think you would have voted in the special U.S. Senate election on January 19th, 2010?

Yesterday I talked to a two man shop heating and cooling company that  was ready to fold after 30 years in business. Why? No business. Do you think it would have taken them more than a year to start to spend the $4 Billion for increasing energy efficiency?

We have to get off our hands-

posted by Don Tishman at 3:49 pm  

Thursday, January 21, 2010

OBAMA NEEDS ELIZABETH WARREN

Obama needs Elizabeth Warren for credibility. America mistrusts Wall Street. Main Street needs Elizabeth Warren to regulate Wall Street.  Obama  desperately needs a real winner, Elizabeth Warren, to regain public confidence.

The voters’ enemy is Wall Street. Obama’s advisors include those who have aided and comforted the enemy-Wall Street.  Larry Summers, during the Clinton years, helped remove the public’s safeguards against Wall Street that led to this Recession  Treasury Secretary, Timothy F. Geithner, co-authored the 2008 policies that led to huge Wall Street profits while the American economy fell apart. There is no middle ground. It is either Main Street or Wall Street.

Reading the writings of Elizabeth Warren makes it very clear that she is clearly on Main Street’s side.

Elizabeth Warren is the Leo Gottlieb Professor of Law at Harvard Law School –In the wake of the 2007-9 financial crisis, she became the chair of the Congressional Oversight Panel created to investigate the U.S. banking bailout (formally known as the Troubled Assets Relief Program). In 2007, she also first developed the idea to create a new Consumer Financial Protection Agency.  Elizabeth  Warren has written twelve books and  more than 100 articles in leading publications. Elizabeth Warren is one of the strongest advocates for the middle class.

This is best proven by the book-  The Two-Income Trap: Why Middle-Class Mothers and Fathers Are Going Broke by Elizabeth Warren.

As you know, the largest  contributor to federal elections has been Wall Street. Today. the U.S. Supreme Court”s decided that placing restrictions on corporate contributions to federal elections was illegal. Now there is no limit on the amount Wall Street can contribute to federal elections.

After Ferdinand Pecora’s 1934 hearings about major bank’s causing the Great Depression, Congress enacted legislation to regulate Wall Street including the major banks. As Pecora predicted Wall Street would not stop fighting until Wall Street made their own rules not the U. S. Congress. Gradually what Pecora predicted came true. The final act was when Bill Clinton signed into law the repeal of the Glass-Stegall Act, which had kept major banks out of the investment banking business. Then with regulations eliminated, we had a repeat of the 1929 economic collapse.   Most Main Street businesses either nearly collapsed or collapsed.  Despite this economic collapse, Wall Street made huge profits. No wonder the voters are wary of Wall Street. It is time that the President and Congress acknowledge this deep seated distrust of Wall Street and do something about it.  Remember, the repeal of many of the safeguards enacted during the Great Depression, was done by both parties. Taking Wall Street contributions is bi-partisan.

Who is to write the regulations of Wall Street? Will it continue to be Wall Street?  Both parties must realize that there are only two sides to this debate. Since 2007, we have seen the dire results when Wall Street self regulates. The public is demanding that Wall Street needs more than self-regulation.

Obama needs  to regulate Wall Street. Elizabeth Warren is knowledgeable. She represents the middle class. Elizabeth Warren will restore public confidence in our government by the Wall Street regulations she writes and executes. As Pecora said, these regulations are never self-executing.

posted by Don Tishman at 3:43 pm  
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